Kolektif-kolektif berorientasi hak asasi manusia dari Indonesia telah dituduh anti-Semitis di salah satu pameran terbesar di Eropa, Dokumenta di Kassel, German.
Human-rights oriented Indonesian art collectives have been accused of anti-Semitism at one of Europe's largest art exhibitions, Documenta, in Kassel, Germany.
From remote Torres Strait to mega-cities like Jakarta, enforced climate refugee status continues to increase.
Success is also closely linked to the public support of consumers who care about animal welfare and demand better standards.
Investigating urbanisation, the environment, inequality, and the political rights and duties of Thai people.
Featuring art from the "other" major art centres in Indonesia, this exhibition includes the work of 6 mid-career artists.
Drawn from local contexts, these abstractions also transcend borders.
It seems like being Thai means I have to overlook the barbaric killings and the state impunity as if it is a way of life.
APT10 forces us to look past the categories of nation or ethnicity to embrace perspectives in life that are centred on multiplicity and hybridity, on community and friendship.
Adapting traditional dance for healthy community building with local women; but are gender boundaries reinforced or deconstructed?
Uncovering transnational and gendered experiences reveals a far richer and more multifaceted picture of Indonesian art and identity.
The eviction of the young nation's only art school has shown who holds the real power in Timor-Leste.
This salvaged cargo draws attention to the pivotal role played by Southeast Asian merchants and consumers in the circulation of Chinese ceramics.
Ethical questions around Dutch soldiers’ actions on which the film reflects are less urgent in Indonesian films.
Since the start of the coup, Ku Kue's art has featured front and centre in many protests around the country.
A utopian vision with glimpses of a dystopian future.
Temasek History Research Centre: Archaeology and Art History of Southeast Asia Programme webinar series
Comprehensive introductory lectures in Archaeology and Art History of Southeast Asia with a focus on the pre-Modern to the Modern periods.
Morlam song practices still resound, even if criminalised, depoliticised and silenced.
After two decades of enormous social change on global and local scales, what role will art and artists play in Indonesia’s future?
How to track art history as the history of styles deriving from influences, and the history of modernism and its relationship to modernity? Is there art that links Southeast Asia as a region?
A platform for diverse collection of articles, videos, seminars, photo essays and reviews on art, design and architecture, and its place in society and history in Southeast Asia.
...an outpouring of passionate anger and disappointment, and a hardening resolve not to be cowed.
New Mandala and the Southeast Asia Institute at The Australian National University are pleased to present this seminar by Professor Adrian Vickers, who is a Visitor in the School of Culture History and Language.
The Substation as we know it may be history, but its significance should not be written as an obituary.