On what translation can tell us about Thai society and its perspectives on its regional neighbours.
Nien Yuan Cheng continues her commentary on how Singapore artists are responding to the Bicentennial.
Part 2 of this 3-part series on the SG Bicentennial explores MY Bridge of Light, a community play sponsored by the official bicentennial fund.
Bodies of/in water and the reversal of colonialism? Arus Balik at the NTU Centre of Contemporary Art
PoP's Cheng Nien Yuan continues her commentary on Singapore's Bicentennial.
On the unstable historical foundations of Singapore's (supposed) two-hundredth birthday.
A personal reflection on the importance of academic freedom
Notes on the first joint meeting of the Asian Society for the History of Medicine & History of Medicine in Southeast Asia, Jakarta, 27-30 June 2018
The most important conference for Asia-Pacific archaeology, heritage & museums is in Vietnam from 23 to 28 September. PoP takes a look at the Southeast Asia sessions & papers we are most excited about.
Isla Winarto talks to PoP about the Indonesian Heritage Society's efforts to promote heritage conservation at Jakarta's Museum Tekstil
Writing history in the Indian Ocean world was the result of a complex interplay of global norms and local conditions of textual production.
PoP's completely biased top picks for the 2018 Asian Studies Association of Australia (ASAA) conference
New research on an ancient wreck raises important questions about protection and preservation
A commentary on the Sufi poem of the peculiar whale, by the 16th-century Malay poet Hamzah of Barus.
A new book on West Sumatran 'angkot' reveals the complex tensions between tradition and modernity in contemporary Minangkabau society
The fall of great premodern Southeast Asian settlements offers hints about what climate change has in store for today's megacities.
Documentation, Restoration, and Repatriation? Reflections on a dance film screening for the ‘Bali 1928’ project
Nien Yuan Cheng reflects on the film screening and lecture, "Gender, Crossdressing and Androgyny in Balinese Dance", conducted by ethnomusicologist Edward Herbst under the aegis of the Bali 1928 repatriation project.
Hamzah of Barus was the foremost Malay poet of the 16th century, whose work draws deeply from Sufi imagery and philosophy.
Welcoming the University of Sydney's Southeast Asian history bloggers to New Mandala.
PoP's archaeologist shares his experience about starting a successful postgraduate reading and research group.
The highlights of PoP's two-month special series on the Philippines.
What makes the Philippines tick, and what's the one piece of art, object or artefact that could provide an answer?
A historically-focussed review of the AGNSW's Passion + Procession: Art of the Philippines exhibition.
A personally-confronting reflection on why, sometimes, art galleries don’t seem to work for the author.